A Warrior adoring the Infant Christ and the Virgin (after 1520). 내셔널 갤러리(National Gallery). 런던(London)

A Warrior adoring the Infant Christ and the Virgin (after 1520).

내셔널 갤러리(National Gallery). 런던(London). 영국(England)

nationalgallery.org.uk

 

Vincenzo Catena (active 1506-1531)

A Warrior adoring the Infant Christ and the Virgin, after 1520

 

Venetian paintings of these dimensions were usually votive offerings (given in fulfilment of a vow). The warrior may be a Turkish convert to Christianity. He wears European armour but his silk headdress is from Islamic North Africa and his horse bears an Islamic Spanish harness. The dagger and belt hanging on the wall are also of Islamis style.

 

Oil on canvas

 

NG234. Boughtt 1853

 

The painting, probably of the 1520s, is of a shape associated in Venice with votive offerings to the Virgin Mary or a patron saint. Here the warrior who approaches the Virgin and Child on his knees wears European armour, but the silk of his head-dress is from Islamic North Africa, and the trappings of his horse from Islamic Spain; the dagger and belt hanging on the wall are also of Islamic style. It has been conjectured that the painting commemorates the conversion of a Turk.

 

155.3 x 263.5 cm

 

Vincenzo Catena was a Venetian who seems to have started painting in the style of Bellini and his follower Cima. By 1506 he had formed a partnership with Giorgione, whose style continued to influence him, even after Giorgione's death in 1510.

Catena's work is less lyrical than Giorgione's but has a solidity and charm of its own. The first notice of Catena is the inscription on the back of Giorgione's portrait of ''Laura'' dated 1506 (in the Kunsthistorisches Museum, Vienna) describing Catena as his partner. Such partnerships were not uncommon in the 15th and 16th centuries.

Catena appears to have had an independent income and to have moved in the circles of Venetian humanists such as Pietro Bembo. This may have been how he met Giorgione.

A comparison of the background of Catena's 'Warrior adoring the Infant Christ' with Giorgione's 'Sunset Landscape' shows Catena's debt to him.

 

 

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