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Albert Huet Square(Piata Albert Huet). 시비우(Sibiu) 본문
Albert Huet Square(Piața Albert Huet).
시비우(Sibiu). 루마니아(Romania)
The square was formed on the line of the city's first fortified precinct. The enclosure itself dates from the late twelfth century, the existence of the prepositure in 1191 being an "ante quem" term for dating today's area of the square. At that time, on the site of today's church rises at the center a Romanic basilica with a cemetery around it, to which were later added three chapels and a school, this area being used by the townspeople as a refuge in case of siege.
In 1415, in this place it is mentioned the existence of the cemeterial chapel with dedicated to St. James (Jacob), the patronate right being given by the Pope to one of vicejudges in Sibiu named Jacob. The chapel was rebuilt in the fifteenth century and in 1592 the comite Albert Huet, whose name was later given to the square, established here a school library, which operated in the neighborhood since 1380.
Also, near the chapel was the Priests' Tower and next was Thomas Gulden's house, who donated it in 1470 to the city, as the location for the city hall. The house served as the mayor's office until 1549 when the city sold the building to Gallus Lutsch and bought Markus Pempflinger's house for the new headquarters (today's History Museum).
In 1848, the old building in the churchyard is demolished, which had monk cells even before the reform and which was converted into rental house. The demolition expands the access area to Piata Mica (Small Square).
1860 – the square around the Evangelical Church is arranged
1868 – the square is paved
1883 – around the Evangelical Church a lattice is installed
1898 – the Priests Tower and Jacob's Chapel on the west side are demolished
No 16 ▲
the end of the 18th century – the beginning of the 19th century
Description:
Small rectangular building, with the short side towards the square, in the yard of the house in Piata Mica no. 16. The two front windows have simple frames and shutters slats from the interwar period, when the roof was transformed.
Special architectural elements:
- A Baroque chimney (eighteenth century)
No 1 ▲
15th - 16th century, 1502
Description:
The building consists of 4 bodies that close a narrow courtyard. The body on the west is the oldest, probably dating from the early fourteen century. The body has two floors on the slope toward the city, used as living rooms. The hipped roof with a ridge parallel to the facade replaced after 1808 a much higher roof, with tiles. In the basement it is stored a stone ogival framing.
The second body of the building, consisting of basement, ground and first floor, dates from the nineteenth century and the third body, which extends to Podul Minciunilor (The Liars' Bridge), dates from the eighteenth-nineteenth century.
Special architectural elements:
- The traditional joinery from the floor windows (1800);
- The entrance door with rich stone framing dates from the fifteenth century (Gothic style) and the stone arms above the portal dates from 1502. Attributed to famous stonemason and architect ANDREAS LAPICIDA, the portal was ordered by JOHANNES, the plebeian from Altana, having on the upper side a rectangular panel with its coat of arms (a ramping lion holding a cross emerging from a crown) and on its 4 corners it had four portraits - the plebeian's, his Patron St. John the Baptist, Emperor FREDERICK and Pope ALEXANDER VI BORGIA.
The inscription on the top, ARMA JOHANNIS DE OLCZNA Q(VE) CESAR/ FRIEDERICUS DEDIT ADDIDIT CRUCEM/ HIERUSOLIMA SANCTA ALMA ROMA/ FIRMAVIT ANNO DOMINI 1502, is framed by a profiling announcing the Renaissance. The door's Gothic framing is distinguished by the depth of the moldings and the delicacy of the vegetable decoration.
- Murals in the main front pockets uncovered after restoration in 2007
History:
The Evangelical parsonage. At the ground floor of the body toward the Liars' Bridge there was a commercial space dating since mid nineteenth century.
No 17.
15th – 18th century, 1550- 1600, 1831
Description:
Building consisting of a basement and ground floor with the short side towards the square and the long side towards the Liars' Bridge passing.
The current appearance dates from 1831 when the chapel that existed here in the fourteenth century was demolished and was incorporated in today's house. From the old chapel it is preserved the polygonal apse with painting remnants (St. Christopher, St. Stephen's head in the stoning scene).
Special architectural elements:
- Mural painting inside (fourteenth century)
History:
Originally destined for a chapel, the construction was started only from the room that solved the house's corner towards the square and the adjoining polygonal room.
The chapel was destroyed by a fire and turned into a home in 1831 by adding the rooms towards the courtyard and outbuildings, plus the basement (the chapel had no basement). The painting was discovered in 1940 by a painter working on interior design.
Art antic
